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The Underlings debut, Operational Excellence.  Available now at CD World, Feinstein's Museum of Unfine Art, and House of Records in Eugene. 


The next Underlings cd release party will be at Kelly's Olympian in Portland on Saturday, November 15 w/ The Ovulators & Dan Jones and the Squids.


From The Eugene Weekly
Opera
ting Excellence
by Amand
a Burhop

Eugen
e’s “blue-collar, underground rock band” The Underlings fall into a category of punk rock that walks the line between classical and nouveau. It’s not quite Sex Pistols, not quite Fall Out Boy, but a place that offers musicians room to grow.


The subge
nre of post-punk is a slightly more polished version of what we’ve come to identify as gritty, unabashed musicianship. But in the post-punk realm, musicians aren’t afraid to be tight, harmonize, play upstrokes and throw in some synthesizer for good measure. The Underlings’ latest release, Operational Excellence on Daily Records, pays tribute to the spectrum of punk by playing with different sounds, subgenres and even subgenres of their own subgenre. “Born in a Box” has an 80s flavor that combines distorted pop with a spat of bubblegum pop. “Getaway” has a gritty Beach Boys sound, with frenzied guitar that opens and closes the song. “Baby Please” takes a bolder, more traditional approach with hard-hitting drums and guitar similar to NoMeansNo.


After
more than a decade in Eugene bands Billy Jack, Activator and White Hot Odyssey, Ed Cole (guitar, vox) looked for a band that more resembled his influences — X, Dead Moon, The Meat Puppets and Mission of Burma. Cole met musical mates Dave Peterson (bass, vox) and Bryant Grace (drums) in 2006, and, after a year of playing shows, the band tracked Operational Excellence at Eugene’s Big Timbre Studio and mixed it in one grueling weekend at Gung Ho Studio.


The Under
lings play a CD release party with Dan Jones and the Squids at 6 and 9 pm Saturday, Oct. 4, at Sam Bond’s Garag
e. 21+. $5.

from The Eugene Register Guard's Ticket
by Serena Markstrom

The Underlings Operational Excellence

...I had to wonder at how many CD release parties for his friends’ bands I would have to see Underlings frontman Ed Cole attend before his group held its own.

The band has been around since 2006. Its debut on Dan Jones’ Daily Records label, “Operational Excellence,” lives up to the noun in its name with tight punk-pop songs from a working class point of view.

My one criticism of this solid project is that the songs are almost too perfect for their gritty content. That you can hear every word sung and bass line strummed makes it hard to swallow that these guys work at factories and such and not in professional studios.

This, from a news release, might explain it a little:

“After more than a decade on the Eugene scene in bands like Billy Jack, Activator, the Naysayers and White Hot Odyssey, Cole wanted a tight, aggressive three-piece, playing minimal, in-your-face arrangements inspired by the bands he grew up with: X, the Wipers, Dead Moon, the Meat Puppets and Mission of Burma.”

Being crisp and high quality doesn’t bother me, but in the genre, a little roughness can be good. The quality makes sense if you look at the liner notes, which list a who’s who in local production.

“Operational Excellence” was recorded at Big Timbre Studio by Jason Robbins (the Comforters), mixed at Gung Ho by Billy Barnett (Mood Area 52) and put out by Daily Records.







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